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Work Title Concerto for Prepared Piano and Chamber Orchestra |
Download SUITE FOR TOY PIANO I by JOHN CAGE free. #1 rated music site. 6.5 Million songs. Get lyrics ♫ music videos for your iPhone®. Review Guidelines. Explain exactly why you liked or disliked the product. Enter your keywords. Blog; Newsletter; Donate; Previous Entry; Next Entry. The Art of the Toy Piano 2 (CD/DVD) for toy pianos, toy instruments, piano, voice. JOHN CAGE Suite for Toy Piano. Dream. ERIK GRISWOLD Old MacDonald’s Yellow Submarine. TOBY TWINING An American in Buenos Aires (A Blues Tango) GEORGE CRUMB Put My Little Shoes Away. JEROME KITZKE The Animist Child. ROSS BOLLETER Hymn to Ruin. John Cage: Suite for Toy Piano - Play streams in full or download MP3 from Classical Archives (classicalarchives.com), the largest and best organized classical music site on the web. John Cage: Suite for Toy PianoZitong Wang, toy pianoPreviously broadcast live on Sunday, January 3, 2016Gould Rehearsal Hall, Curtis Institute of Music, Phil.
Download Suite For Toy Piano John Cage Sheet Music
Download Suite For Toy Piano John Cage 1
Date Composed between 1950 and 1951. Premiered in New York, January, 1952. |
Ensemble Type Chamber Orchestra |
Work Length 22 minutes |
Instrumentation For Piano Solo, Fl (Picc), Ob, EU, 2 Cls, Bsn, Hrn, Trp, 2 Trbs, Tba, Perc (4), Hp, Pf/Cel, Str (5 soloists). |
Comments This is a composition in 3 parts, with the rhythmic structure 3, 2, 4; 4, 2, 3; 5. In parts 1 and 2, the piano and the orchestra never sound together; only in the third part are the two combined. Cage created a 14” x 16” chart, with different sonorities noted in every box, a technique he used in quite a few compositions from this period. By moving across the chart, the musical materials for the Concerto can be determined. In part 1, the piano part is improvisatory, following Cage's ideas, while the orchestral parts are determined through rules and diagrams derived from the chart. In part 2, Cage brings the piano under the rules of a second (parallel) chart, creating a sense of confluence between soloist and orchestra. In the final movement, both piano and orchestra are governed by the same chart (the version from part 1). |
Publication Peters Edition EP 6706, EP 6706a (solo piano part) |